Hurra Die Schule Brennt Ganzer Film

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Hurra, die Schule brennt - Die Lümmel von der ersten Bank Iv. Teil

19691969
1 h 37 m

Peter Alexander and Heintje Simons in Hurra, die Schule brennt - Die Lümmel von der ersten Bank IV. Teil (1969)

Pepe Nietnagel's bunch's pranks make their school a logical option for existence assigned an elite teacher past the Ministry of Education. The choice falls on overqualified Dr. Peter Bach, who see... Read all Pepe Nietnagel's bunch's pranks make their school a logical choice for being assigned an aristocracy teacher by the Ministry of Education. The choice falls on overqualified Dr. Peter Bach, who seems wasted on, but is happy in, a tiny Tall village. When information technology burns down, he accepts movin... Read all Pepe Nietnagel'due south agglomeration's pranks make their school a logical choice for being assigned an elite instructor by the Ministry building of Education. The option falls on overqualified Dr. Peter Bach, who seems wasted on, but is happy in, a tiny Alpine village. When it burns downwards, he accepts moving with his orphaned cousin Jan, who feels his foxy new temp teacher Julia Schumann could p... Read all

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WARBLING AND FATUITY

This 4th part of the "Lümmel series" is absolutely a peak in fatuity and stuffy morals. In this part not only the usual imbecile humor and ditto scripting, trying to introduce some "freshness" into the past now thread bare format the story (such as there is) is centered around Schager-vocaliser Peter Alexander and a very embarrassing export product from The netherlands: boy vocalizer Heintje as Alexander'due south nephew, who is looking for a married woman for his uncle equally uncle is very clumsy at house keeping - wow, what an exciting subject field.

While Heintje torments the ears with his warbling, Peter Alexander - who needed a good director to be acceptable - bores the viewer to decease by only being there, merely specially during his bloody atrocious impersonation of Hans Moser. Watching these 2 yous would have give annihilation to accept Hannelore Elsner and fifty-fifty Uschi Glas back. Seeing this part I over again wondered why such bang-up comedians as Theo Lingen, Ruth Stephan and Werner Finck (in this part only) kept working in the serial; were they forced or is it proof that in the declining German mainstream movie house there was no place for them?

There is a modernized version of Schiller'south "Wilhelm Tell" equally schoolhouse play, that combines Tell with Bonanza! O aye, this could have been a fine idea if executed well and with a sense of sense of humour and natural language-in-cheek, but it is of grade a very reactionary view on the social changes within club: in this case make fun of those who seriously wanted to modernize the classics. Alexander has to shoot an egg on superlative of Heintje's head; he should have missed.